Cinema

All of Hong’s characters share a existence across the same universe, living time and again; sometimes as free-spirited women who are foreign to the way of cinema’s scale and sometimes as married directors who frequent showers of unrequited love and desert affection for flings of cyclic infidelity.

Minuscule, misleading assumptions tease our confused capacity amidst self-doubt, we adopt habits but change very little, only for a point of saturation to illusion a state of betterment.

Writer-Director Christopher Nolan’s works have ranged from adolescent hormonal epidemics to pure sensory experiences of three-dimensional explanations, but what we have here is a neo-noir experiment that [...]

Windows open, angel outside. Should I be careful or should I be honest? Pretense first, candour later. The first time

Flowers are overrated. Happiness is over-sought. A removed line from Johar’s screenplay reads “[1]Khushi ka kya hai? Gham

Nolan advances into the beach of sterile hope with honesty, and deviates from his imposition of cheap convention that would normally shatter the religious architecture into cumbersome fragments of blatant exposition.

A svelte lady waits in a phlegmatic fashion as the wheels carry her and her undisputed weight to a mountain

Disappointment as surrealism. Change as bizarre. Love as a temporal function. A twisted crossroad welcomes the eminent boiling down of